Bibliopornography

Time is never wasted if you remember to bring along something to read.
- Thomas Pynchon (from ‘Against The Day’)

(Source: lit-quotes)

Reading is a tactile experience and never more so than in childhood, as our first encounters with covers and spines and illustrations are imprinted on our minds.
-

From The Millions, a beautiful essay by Alix Ohlin on “the sad, strange brilliance” of Tove Jansson, creator of the beloved Moomin series

But, please, can we stop calling queer women’s lovers and spouses mere “companions”? It does an injustice to the dignity and depth of those relationships. (Especially during LGBT Pride Month.) 

(via explore-blog)

diversityinya:

Diversity in YA’s 2014 Back to School Giveaway

It’s September, which means we’re back to business as usual here at DiYA and many of you are back to school! To celebrate the fall, we’re giving away these nine awesome new and upcoming diverse young adult books to three lucky winners.

Here’s how this will work:

1. We’ve divided these nine books into three packs of three:

Prize Pack 1: Thriller/Science Fiction

Prize Pack 2: Realistic Fiction

Prize Pack 3: Nonfiction

2. We will pick three winners to receive one prize pack each. (You can tell us which prize pack you prefer in the entry form.)

3. Because of the cost of international shipping, we are only able to ship to U.S. mailing addresses. International folks may enter as long as they have a U.S. mailing address.

4. Teachers and librarians get an extra entry for free!

5. The deadline to enter is the end of the day, Sept. 19, 2014.

Enter here:

a Rafflecopter giveaway

If you can’t see the entry form widget above, go here to enter.

Thank you to Arthur A. Levine Books; Cinco Puntos; Harlequin Teen; Little, Brown Books for Young Readers; and Simon & Schuster Books for Young Readers for generously donating copies of these books for this giveaway.

Louisa May Alcott wrote Little Women for the money. And it made her miserable.

As a young writer, Alcott concentrated on lurid pulp stories of revenge, murder, and adultery–“blood and thunder” literature, as she called it–and enjoyed writing very much. She was in her mid 30s when an editor suggested she try writing a book for girls. Alcott wasn’t very interested, but her father was a complete moron with money and had left the family in terrible financial trouble. Alcott wrote Little Women in hopes of some decent sales and a little breathing room and got way more than she asked for. The money in sequels was too good to turn down (and her father didn’t get any smarter with a dime), but Alcott hated writing what she called “moral pap for the young” and longed to return to the smut and violence of her early endeavors.